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Audience of One

by Oren Ambarchi

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  • Record/Vinyl + Digital Album

    Gatefold 12" special edition

    Includes unlimited streaming of Audience of One via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    Purchasable with gift card

      £15 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    Gatefold sleeve

    Includes unlimited streaming of Audience of One via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    Purchasable with gift card

      £7 GBP or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more

     

1.
Salt 05:29
2.
Knots 33:22
3.
Passage 06:40
4.

credits

released January 30, 2012

Mastered by Francois Tetaz at Moose Mastering, Melbourne

Credits:

Composed By – Ace Frehley (tracks: 4), Oren Ambarchi (tracks: 1 to 3), Paul Duncan (tracks: 1)
Mixed By – Byron Scullin (track 1), Joe Talia (tracks 3, 4), Oren Ambarchi, Randall Dunn (track 2)
Photography and design byJon Wozencroft

Track notes:

Track 1: Guitars recorded at Jerker House, Melbourne
Vocals recorded at Telescope Recordings, Brooklyn, NY
Strings and piano recorded at Electric Dreams, Melbourne
Mixed at Electric Dreams

Track 2: Guitars recorded at Jerker House, Melbourne
Strings, voice and french horn recorded at Avast, Seattle
Drums, percussion and spring recorded at Chinatown, Melbourne
Mixed at Avast

Track 3: Recorded at Avast
Additional recording at BJB, Sydney
Mixed at Chinatown, Melbourne

Track 4: Recorded at Chinatown and Head Gap, Melbourne
Additional recording on location at 6 Chelmsford St, Kensington
Mixed at Chinatown

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about

Oren Ambarchi Australia

Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, "re-routing the instrument into a zone of alien abstraction where it’s no longer easily identifiable as itself. Instead, it’s a laboratory for extended sonic investigation". (The Wire, UK). ... more

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