Frank Bretschneider - Isolation

LINE_074 | CD + Digital | limited edition of 400 | November 2015

BEST OF 2015:
Isolation by Frank Bretschneider via Headphone Commute
Isolation by Frank Bretschneider via Ear Influxion

WATCH . promo video for “Oscillation/Feedback� by Frank Bretschneider on Vimeo.

LINE is proud to present the latest work by Berlin based artist Frank Bretschneider. Renowned for his mastery of rhythmic elements throughout his discography, Bretschneider has set this palette aside for an unexpected and unsettling exploration into sensorial space.

Isolation was initially composed in 2012 as part of the installation “Zwei Zellen/Hörgang Bautzen II� by Moritz von Rappard and Thomas Ritschel at the former Stasi prison Bautzen II, in Bautzen, Germany. This notorious prison, actively used from 1956 to 1989, held political prisoners under severe incommunicado incarceration conditions.

Isolation undertakes an auditive journey along the narrow edges between the inner and outer acoustic world. This work attempts to explore and interpret the impact of longtime sensory deprivation and how this environment changes the auditory perception of prisoners as well as such effects as perceptual disorders and tinnitus.

At times seemingly suspended in mid air and at other points jarring, Isolation migrates through unnerving sonic headspaces. Isolation is the second full length edition by Frank Bretschneider for LINE after his acclaimed 2012 work Kippschwingungen (LINE_057).

Composed and recorded by Frank Bretschneider, Berlin, 2012/2015.
Headphone listening is recommended.

TRACKS:

1. White Light (07:28)
2. Neon Night (08:34)
3. Cycle/Circle (06:12)
4. Vertical Time (11:00)
5. Oscillation/Feedback (07:42)

Frank Bretschneider is a musician, composer and video artist in Berlin. His work is known for precise sound placement, complex, interwoven rhythm structures and its minimal, flowing approach. Bretschneider’s subtle and detailed music is echoed by his visuals: perfect translated realizations of the qualities found in music within visual phenomena.

Bretschneider (1956) was raised in Karl-Marx-Stadt (Chemnitz since 1990), where his aesthetic developed as he listened to pirate radio and smuggled Beastie Boys tapes in the former East Germany. After studying fine arts and inspired by science fiction radio plays and films he began experimenting with tape machines, synthesizers, and modified guitars in 1984, as well as exploring the possibilities of exchange between visual art and music by various means such as film, video and computer graphics.

In 1986, after establishing his cassette label klangFarBe, Bretschneider founded AG Geige, a successful and influential East German underground band. Though limited to the East before the wall came down, they were invited to perform across Germany and internationally after 1989 and released three albums before splitting in 1993. In 1995, Bretschneider and fellow AG Geige member Olaf Bender founded the Rastermusic record label which eventually merged with Carsten Nicolai’s noton to form raster-noton in 1999.

Most of Bretschneider’s early solo albums – about half a dozen – were under the alias Komet, the first, SAAT, appearing in 1996. Since then Bretschneider has released his work (in addition to raster noton) on various labels including 12k, LINE, Mille Plateaux or Shitkatapult, and contributed to some well-known compilations like CLICKS & CUTS on Mille Plateaux and raster-noton’s 20′ TO 2000 series. 2001’s CURVE, his second album for Mille Plateaux, was critically acclaimed and brought Bretschneider international attention. Followed 2003 by GOLD, raster-noton’s most blatantly pop album by then. GOLD, however, was topped by the percussive masterpiece released in late 2007, RHYTHM, an album that was rated very highly by several major electronic music publications, notably »The Wire« magazine, who put the album among their top releases of 2007. 2010 saw the release of EXP, a rather complex and abstract audio-visual work and his 2012 album KIPPSCHWINGUNGEN explores the sound of the Subharchord, a unique electronic instrument based on subharmonic sound generation. SUPER.TRIGGER, his 2013 album for raster-noton, is an absolute trove of percussive tension. And his newest, SINN + FORM, is all about improvisation and analog modular synth chaos.



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Frank Bretschneider - Isolation





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