Cassette only, in an edition of 500 copies.
Second edition, with alternate inlay.
“The Noisiest Guys on the Planet” were recorded by Jana Winderen, who also provided the illustration. Thanks to: Institute of Marine Research and the crew on Johan Hjort.
The decapods or Decapoda (literally means “ten footed”) are an order of crustaceans within the class Malacostraca, including many familiar groups, such as crayfish, crabs, lobsters, prawns and shrimp. Most decapods are scavengers.
As their name implies, all decapods have ten legs; these are the last five of the eight pairs of thoracic appendages characteristic of crustaceans. The front three pairs function as mouthparts and are generally referred to as maxillipeds, the remainder being pereiopods. In many decapods, however, one pair of legs has enlarged pincers; the claws are called chelae, so those legs may be called chelipeds.
Jana Winderen is an artist educated in Fine Art at Goldsmiths College in London, and with a background in mathematics, chemistry and fish ecology from the University in Oslo. She had an installation in Park Avenue Tunnel, New York City in the summer of 2014 and exhibited at MoMA, NYC in 2013. Jana was recently an artist-in-residence at the TBA21 Academy and releases her audio-visual works on Touch.
In 2011 she won the Golden Nica, Ars Electronica, for Digital Musics & Sound Art. Amongst her activities are immersive multi-channel installations and concerts and has performed all over the world. She currently lives and works in Oslo.
Jana Winderen researches the hidden depths with the latest technology; her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses are brought to the surface. She is concerned with finding and revealing sounds from hidden sources, both inaudible for the human senses and sounds from places and creatures difficult to access.
Recent sounds work include "Interrupting the Surface" for Galerija Bačva at The Meštrovićev pavilion in Zagreb (2016), "Tesersuaq" for The Lake radio (2016), "The Wanderer", for the Lorch Schive Art prize (2015), "Pasvikdalen", commissioned by Sonic Act, Amsterdam (2015), "On this Beach" for VICC in Gotland (2015), "Dive" commissioned by New York Department of Transportation for Park Avenue Tunnel, New York, (2014), “Out of Range” commissioned by Deutschlandradio, Kultur, Germany, (2014), "Ultrafield" commissioned by MoMA, The Museum of Modern Art, New York, (2013), “Water Signal”, commissioned by The Guggenheim Museum and the Unsound festival in New York for the Stillspotting project, “ultraworld”, a commission by Sound and Music for the listening room at BEOPEN, Trafalgar Square, London (2012), a concert and talk at MIT, Boston, in relation to the Tribute to Commemorate Electro-acoustic pioneer Marianne Amacher; “Survivors of the Waterworld – Measuring Pollution by Sound” for Gøteborg International Biennial for Contemporary Art (2011); “Energy Field” live at ARS Electronica Festival for receiving the Golden Nica in 2011; “Between Dry Land”, commissioned for the installation “The Morning Line” (by Matthew Ritchie) for the Thyssen-Bornemisza Art Contemporary, opened in Istanbul May 2010. “Spawning Ground - from Coquet Head to the North Sea” was also commissioned for the AV festival in Newcastle (2010), and in the same year Jana also opened a permanent sound installation at the Knut Hamsun Centre in Hamarøy, Norway.
Recent releases include the USB stick release "The Wanderer" (2015) on Ash International (UK), the digital download "Out of Range" (2014), the 12” Vinyl, “Debris” (2012), the album “Energy Field” (2010), “Heated: Live in Japan” (2009), all on Touch (UK); the audio cassette “The Noisiest Guys on the Planet” (2009) on Ash International (UK); the USB stick, “Ants”; the digital download “Submerged” (2009), also on Touch, and the 7” vinyl “Surface Runoff” (2008) on Autofact (USA).
She is currently working with the project "The Ice Edge" (2015-2017) in collaboration with Sonic Acts festival, "Silencing of the reefs" supported by Thyssen-Bornemisza Art Contemporary, she is working on a full length release for Touch (UK) and she is currently working on a commission from the American Embassy in Oslo called "Raft of Ice" amongst many other commissions, works for film, concerts and installations.
Jana Winderen writes:
“An ongoing investigation into the use and production of sound by decapods...
When a recording is made underwater, you will definitely hear the crackling noise of what might be a creature from the order of Decapods.
When recording on the coast of Norway, for example, this sound is what you are very likely to hear as soon as the ferries and motorboats have parked for the night. They seem to be everywhere, whoever it is making this sound. When you go for a swim and listen underwater you can even hear them. But who are they?
The pistol shrimp, or snapping shrimp, make this kind of sound, but they are not found in waters as far north as the Norwegian coast. In Thailand the same sounds can be heard in the freshwater River Ping.
To get more of an understanding of this phenomenon, I called various Professors of Marine Biology in Norway who specialise in shrimp. I asked whether they knew what kind of shrimp it could be making these sounds. One of them sent a question to his world-wide shrimp network because he did not know that shrimp made these sounds. The replies came that the sounds are probably produced when they are feeding. I know that pistol shrimp make sounds when they snap they claws to paralyse their prey, but do others in the same family do the same? No one seemes to know. Underwater there is very little known about the soundscapes created by living creatures, and few understand the details of variations between the various grunts, knocking sounds and rumbling sounds that cod, haddock, pollock, other fish and crustaceas produce, and how they experience and orientate themselves through the use of sound.”
Quick: What’s the creepiest sound you’ve ever heard? Whatever it is, it’s got nothing on Jana Winderen’s 2009 recording of decopods scuttling about on the ocean floor off the coast of Scandinavia. Decapods—the order of ten-legged crustaceans that includes lobsters, shrimps, and crayfish—use as many as half of their appendages to paralyze and dispatch prey or, more often, to pick at the crumbling remains left behind by larger sea predators, a fact that only amplifies the grisliness suggested by the muculent chatter heard on The Noisiest Guys on the Planet. Like Roger Payne and his whale-song recordings, Winderen used sensitive hydrophones, lowering them hundreds of feet into the sea to capture the briny clamor with chilling clarity.
DID YOU KNOW: Winderen was awarded the 2011 Golden Nica—the Grammy of digital sound art; past recipients include Peter Gabriel and Aphex Twin—for Energy Field, a CD in which her decapods figure prominently.
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