Philip Jeck - Iklectik

CD - 1 track - 47:46
Limited edition (500) CD in slipcase
Release date: 22nd September 2017

***JUST 3 LEFT***

Artwork and photography by Jon Wozencroft
Recorded and mastered by Jeff Ardron of St. Austral Sound

The 6th in the series of limited edition compact disc live recordings (after Thomas Köner & Jana Winderen, Simon Scott, Bethan Kellough, Yann Novak, Robert Crouch) brings Philip Jeck live at Iklectik, London.

Philip Jeck studied visual arts at Dartington College of Arts in the 1970’s and has been creating sound with record-players since the early 80’s. He has worked with many dance and theatre companies and played with muscians/composers such as Jah Wobble, Steve Lacy, Gavin Bryars, Jaki Liebezeit, David Sylvian, Sidsel Endresen and Bernhard Lang.

He has released 11 solo albums, the most recent “Cardinal”, a double vinyl release on Touch. “Suite”, another vinyl-only release, won a Distinction at The Prix Ars Electronica, and a cassette release on The Tapeworm, “Spool”, playing only bass guitar. His CD “Sand” (2008) was 2nd in The Wire’s top 50 of the year. His largest work made with Lol Sargent, “Vinyl Requiem” was for 180 record-players, 9 slide-projectors and 2 16mm movie-projectors. It received a Time Out Performance Award. Vinyl Coda I-III, a commission from Bavarian Radio in 1999 won the Karl Sczuka Foderpreis for Radio Art.

Philip also still works as a visual artist, usually incorporating sound and has shown installations at The Bluecoat, Liverpool, Hayward Gallery, London, The Hamburger Bahnhof Gallery, Berlin, ZKM in Karlsruhe and The Shanghai and Liverpool Bienalles.

Philip Jeck has won the Paul Hamlyn Foundation Award for Composers 2009. A presentation ceremony took place at The Royal Institute of British Architects, London, on 9th November 2009.

He has toured in an Opera North production playing live to the silent movie Pandora’s Box (composed by Hildur Gudnadottir and Johann Johannson).He has also worked again with Gavin Bryars on a composition “Pneuma” for a ballet choreographed by Carolyn Carlson for The Opera de Bordeaux and has recently made and performed the sound for “The Ballad of Ray & Julie” at the Everyman Theatre, Liverpool.

Reviews:

Ondarock (Italy):

Philip Jeck è, molto semplicemente, colui che più d'ogni altro ha elevato a forma d'arte sonora la turntable music. Da oltre vent'anni l'etichetta londinese Touch fa tesoro di questa espressione quietamente sublime, tanto negli album in studio quanto in una selezione di registrazioni live. La presente edizione limitata documenta la performance tenutasi lo scorso 11 maggio presso il laboratorio IKLECTIK, nell'ambito di una serie di eventi curati dallo stesso per il progetto internazionale The Engine Room dedicato alla sound art.

La materia prima di Jeck sono frammenti musicali alla stregua di reperti, accumulazioni di objets trouvés in cui tuttavia le diverse sorgenti non soffrono mai di un contrasto violento bensì, secondo il know-how che contraddistingue anche i migliori dj, si distendono mollemente l'una sull'altra e si armonizzano in maniera spontanea, sfumandosi nei loro rispettivi confini.
Dai tratti definiti dell'avvio - sinistro e vibrante come un lounge bar lynchano - il fluire viscoso del suono cede il passo all'onda lunga di ambientazioni generate dal rallentamento del piatto. Sottili fruscii e scricchiolii sono pressoché gli unici, sporadici elementi para-ritmici tra le campiture di un affresco ininterrotto e dai colori sbiaditi, sottratto al dominio della memoria sonora verso una dimensione astratta e impalpabile.

Tuttavia, come e più che nelle sale da ballo spiritate di Caretaker, l'obiettivo ultimo non è la conservazione ma l'oblio, l'abbandono in quell'area cerebrale in cui la percezione non si sedimenta ma subito si disperde e scompare. "Iklectik" è un ennesimo, inebriante stream of (un)consciousness musicale da parte di uno tra i più sensibili decani della sperimentazione contemporanea.

cultureel (Netherlands):

Je kunt de klok erop gelijk zetten. Er zal toch wel weer een nieuwe plaat van Philip Jeck komen dit jaar. En jawel. Daarop doet Jeck wat hij altijd doet. Dat betekent: een beetje wat platen opzetten, daar loops van maken, delay erover heen. Klaar is Philip. Wel zo’n beetje.

Toch trekt nauwelijks iemand zulke ambient textuur op. Jeck grossiert in hoogpolige mistbanken van electro-akoestische raadsels en puzzels. Uitgesmeerd en door elkaar geveegd hoor je niks meer dat herinnert aan de originele bronnen. Precies dat is typisch Jeck. Doe het hem maar na.

Alan Haselden (blog):

Liverpool-based sound artist and improviser Jeck works with phonograph turntables and scratchy old vinyl records prepared to jump or lock the stylus into repetitive loops. In addition he deploys ancillary devices to shape the sounds in real time. Imagine walking somewhere urban with a heavy background simmer of wind, traffic, voices, birds and occasional random events. You turn a corner and detect music playing in the distance but you don't know what it is. The sounds are the best thing you ever heard, until, that is, you identify the music, which turns out to be some pop ubiquity. That initial moment of aural magic is what Jeck perpetuates in his performances: stammered musical extracts from records, thick with gritty violent surface noise, are layered with each other and transformed by live processing. This 47-minute 'Iklectik' concert on cd was recorded earlier this year and it is Jeck at his best, in my opinion. Brief spoken word emerges towards the end, a female voice, presumably a performance poet.



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Philip Jeck - Iklectik


MP3 sample

Track 1:  Iklectik (extract)



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