Jana Winderen - Spring Bloom in the Marginal Ice Zone

CD + booklet - 3 tracks - 77:49 Track listing: 1. Interview with Carlos Duarte 5:48 2. Spring Bloom in the Marginal Ice Zone - Headphones mix 37:00 3. Spring Bloom in the Marginal Ice Zone - Speakers mix 35:00 Artwork & photography by Jon Wozencroft Booklet photography by Philipp Assmy Mastered by Denis Blackham, Skye The marginal ice zone is the dynamic border between the open sea and the sea ice, which is ecologically extremely vulnerable. The phytoplankton present in the sea produces half of the oxygen on the planet. During spring, this zone is the most important CO2 sink in our biosphere. In Spring Bloom in the Marginal Ice Zone the sounds of the living creatures become a voice in the current political debate concerning the official definition of the location of the ice edge. In view of the recent UN Climate Change report, this release is most timely... The listener experiences the bloom of plankton, the shifting and crackling sea ice in the Barents Sea around Spitsbergen, towards the North Pole, and the underwater sounds made by bearded seals, migrating species such as humpbacks and orcas, and the sound made by hunting saithe, crustaceans and spawning cod, all depending on the spring bloom. Spring Bloom in the Marginal Ice Zone is a Sonic Acts and Dark Ecology commission first shown as a 7 channel installation at the Sonic Acts festival (Muziekgebouw, Amsterdam, 2017). It was supported by Art & Technology - Arts Council Norway, Fond for lyd og bilde, Tono stipendet, ARCEx research cruise on R/V Helmer Hanssen, UiT The Arctic University of Norway. Thanks to Paul Wassmann, Ingrid Wiedmann, Britt Kramvig, Berit Kristoffersen, Hilde Methi, Annette Wolfsberger, North Sailing, Arctic Encounters, Mamont Foundation & TBA21 Academy. CARLOS M. DUARTE is Professor of Marine Science, Tarek Ahmed Juffali Research Chair in Red Sea Ecology, Biological and Environmental Science and Engineering Division, and is a world-wide leader in multiple branches of biological oceanography and marine ecology - https://www.kaust.edu.sa/en/study/faculty/carlos-duarte PHILIPP ASSMY is a researcher at The Norwegian Polar Institute, Tromsø, Norway. Current activities include species-specific studies of planktonic and sympagic communities and primary productivity in the Arctic Ocean north of Svalbard. He is also studying the impact of changing sea ice conditions and associated effects (e.g. changes in light climate and surface stratification) on phytoplankton and ice algal communities - http://www.npolar.no/en/people/philipp.assmy/ Reviews: Rockerilla (Italy): Ancora un esempio di soundscaping, essenziale e importante opera divulgativa. Jana Winderen è diplomata in Belle Arti con conoscenze approfondite in matematica, chimica ed ecologia marina. In questo lavoro si è occupata del fragile equilibrio cheesiste lungo la linea di confine che divide il mare aperto e ledistese di ghiaccio, un luogo che permette la creazione del vitale serbatoio di ossigeno della biosfera. Spring Bloom é un rilevante lavoro che unisce cultura ecologica ed espressività artistica grazie a due lunghi episodi immersivi nei quali è stata utilizzata tuttal’intensità e la drammaticità del field recording. NECESSARIO. [Mirco Salvadori] Chain DLK (USA): Layering high-latitude field recordings of the border between sea ice and the open sea into one found sound composition, this is an elegant work with a lot of fascinating detail. While there’s underwater seal and whale sounds (mostly faint), it’s never in danger of becoming a relaxation cliché, mainly thanks to the crisp and almost electronica-like noises of the ice itself, which are gentle but still slightly alienating, and which ebb alternatively with windier, quite barren sounds. There’s a 37-minute “headphones mix” and a 35-minute “speakers mix”. I didn’t compare or side-by-side them, instead being perfectly happy with a 72-minute listening experience that didn’t overstay its welcome. It’s framed in terms of marine science and ecology rather than art, nevertheless it’s a beautiful thing to listen to, toeing an unusual line between emptiness and grandeur that really draws you in. Toneshift (Italy): With this record the acclaimed biologist (Really? - ed.) and sound artist Jana Winderen adds another valuable work to the continuum of her personal research. Differently enough from her previous output, Spring Bloom in the Marginal Ice Zone engages with the political aspects of climate change in a much stronger and direct way. A strong bond from both a scientific and an sensitive link to the catastrophic effects of global warming becoming everyday much more evident (I’m now sitting in my kitchen in Oslo, it’s mid-November and the temperature of 9°C is just insane for this period of the year). While on the other side new capitalism-led far right movements getting into power worldwide pretend nothing happens, Winderen frames out a specific picture, a well-defined endangered natural phenomenon that becomes an example of the possible consequences for our society’s behaviour. Part of her statement comes from the first document contained in the record: an interview with the professor Carlos Duarte that explains in great detail how marine spring bloom in the marginal ice zone happens and how it is fundamental for the life cycle, not only of the creatures inhabiting the polar sea, but for the entire world. The Marginal Ice zone is that belt in which the transition between the ocean and the sea ice happens — and where the algae that in the months right after the polar night accomplish their life cycle, not only represent the main food resource for plankton and other small sea creatures, which become food for other species in their turn, but also act as the biggest sink for carbon dioxide in our biosphere. From a visual perspective this photosynthetic blast appears like a green wave that moves between spring and summer from the lowest latitudes to the highest ones.
 The album contains then two different renders of the same track, a headphone mix and a speaker mix. This was for me a very nice surprise that I considered a natural aesthetic consequence for a sound specialist, aware of the fact that more and more people around the world listen to music mainly over headphones. The sense of presence and immersiveness we gain from the binaural mix is a feature not to be overlooked. It contributes a lot to the experience of this ever-changing perfect orchestra that nature is. No digital granulation process could possibly ever match the beauty and the richness of the granular sounds happening in nature. The sound materials in the record, all coming from field recordings of the environment and the species inhabiting the area around Spitsbergen in the Barents Sea, provide the feeling of being part of the ecosystem that we can’t then perceive as something away from us anymore. [Giuseppe Pisano]



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Jana Winderen - Spring Bloom in the  Marginal Ice Zone


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Track 1:  Edit



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